Gruesome’s "Silent Echoes": A Deep Dive into OSDM Revivalism

For half a decade, I’ve immersed myself in the world of metal music reviews, often grappling with the resurgence of old school death metal (OSDM) revivalists. This trend has become a recurring theme in my critiques, especially when it comes to new releases in the genre. So, why would I willingly dive into the waters of a band that epitomizes this revival? Enter Gruesome, a death metal outfit hailing from California and Florida, whose reputation is as mixed as the genre itself.

The Band’s Identity

Gruesome is often labeled as the “Greta Van Fleet of Death Metal,” a nod to their overt inspiration from the legendary band Death. Their Instagram bio proudly states “DEATH-deifying Death Metal,” laying bare their influences. While some may scoff at this homage, it’s essential to recognize the band’s dedication to honoring the legacy of Chuck Schuldiner and his groundbreaking work in death metal.

Despite the mockery, Gruesome has carved out a niche for themselves, evolving into a committed live act. Their latest album, Silent Echoes, marks a significant step in their journey, venturing into the more progressive realms reminiscent of Death’s Human album. This release is also a tribute to both Schuldiner and the late Sean Reinert of Cynic, who played drums on the aforementioned record.

A Familiar Sound

From the outset, one of the most glaring issues with Silent Echoes is its derivative nature. If you’re not a fan of Death or find the idea of a tribute band producing music in their style to be sacrilegious, this album may not resonate with you. Even for newcomers, the specific sound and style can be daunting, as Gruesome occupies a niche that primarily caters to die-hard Death fans and genre aficionados.

However, knowing this going in allows for a more nuanced appreciation of the album. The musicianship is undeniably impressive. Guitarists Dan Gonzales and Matt Harvey deliver a blend of intricate brutality and melodic finesse, echoing the mastery of Schuldiner. Gus Ríos’ drumming is equally commendable, showcasing a hard-hitting style that aligns with his work in tribute bands like Left to Die and Living Monstrosity. The bass work, handled by Gonzales, also shines, meeting the high expectations set by fans of legendary bassist Steve DiGiorgio.

Standout Tracks

Among the album’s offerings, the instrumental track “Voice within the Void (Astral Oceans)” stands out as a highlight. This piece showcases Gruesome’s potential beyond mere homage, featuring a guest guitar solo from Paul Masvidal, another significant figure in the genre. Here, the band seems to break free from the shadows of their influences, hinting at their capacity for originality.

Throughout the album, glimpses of brilliance emerge, suggesting that if Gruesome were to pursue a distinct sound, they could evolve into a unique entity within the metal landscape. However, the decision to remain in the realm of tribute is ultimately theirs to make.

Mixed Feelings

While there are aspects of Silent Echoes that I genuinely enjoyed, I would be remiss not to acknowledge the eye-rolling moments that come with it. My ongoing critique of OSDM revivalism clouds my perception, making it difficult to fully embrace Gruesome’s efforts. Their passion and musical prowess are commendable, but the album is best savored in small doses. When the urge for more Death arises, Gruesome provides a fitting alternative—if the mood strikes just right.

Silent Echoes is set to release on June 6 through Relapse Records, and while it may not convert skeptics, it undoubtedly serves its purpose for those seeking a nostalgic trip through the echoes of death metal’s past.