The End of an Era: Meanjin Literary Journal to Cease Publication After 85 Years
End of an Era: Meanjin Literary Journal to Cease Publication After 85 Years
In a poignant farewell to Australian literature, Meanjin, one of the country’s oldest literary journals, has announced it will cease publication after 85 years. Founded in 1940 in Brisbane, Meanjin is the second oldest literary journal in Australia, following Southerly. Its name, derived from the local Indigenous Yuggera language, signifies the site where central Brisbane now stands, reflecting the journal’s commitment to honoring the cultural significance of place.
The decision to close Meanjin, announced by Melbourne University Publishing, comes as a result of financial constraints. The final issue is set to be released in December, leaving many in the literary community reeling. The two part-time staff members were reportedly not involved in the decision, which has drawn widespread criticism from prominent writers and literary figures, including award-winning authors Louise Adler and Sophie Cunningham.
As of September 5, over 700 individuals have signed an open letter urging the University of Melbourne’s Vice-Chancellor, Emma Johnston, to consider sacrificing 10% of her salary to save the journal. SBS News has reached out to Professor Johnston for comment but has yet to receive a response.
Dr. Jeanine Leane, a Wiradjuri writer and former poetry editor at Meanjin, expressed deep concern over the closure. "It is cultural pillage," she stated, emphasizing that shutting down such a vital platform equates to a form of censorship. Dr. Leane highlighted Meanjin’s historical role in showcasing First Nations voices, particularly since a significant cultural shift occurred in 1977 when the journal began to focus more on Indigenous literature.
Carody Culver, editor of Griffith Review, echoed these sentiments, lamenting the loss of a journal that has significantly shaped Australia’s literary landscape. "Meanjin has been a beacon for emerging and established writers alike," she said, noting its role in coining the phrase "cultural cringe," which has become embedded in Australian discourse.
Culver also emphasized the importance of institutional support for literary journals, arguing that they should not be expected to generate revenue. "Journals are vital platforms for writers at all stages of their careers," she remarked, reflecting on her own experiences with Meanjin during her early career.
The outpouring of support on social media and in news articles following the announcement underscores the journal’s impact on Australian literature. As the literary community grapples with this loss, many hope that Meanjin’s legacy will endure and that one day, it may rise again.
In the words of Culver, "I hope that we can keep talking about this and that we can always remember Meanjin." The closure of this storied journal marks not just the end of an era, but a significant loss for the voices and stories that have shaped Australia’s literary identity.