Exploring the Sonic Depths of Illusory Dissolvents: A Dissonant Tale in Three Parts
In the ever-evolving landscape of underground metal, the quest for fresh sounds can often feel like a Sisyphean task. With countless new releases flooding the scene, each claiming to be the most brutal or the most innovative, it’s easy to become jaded. Yet, every so often, an album emerges that reignites the spark of curiosity and excitement. The recent split release Illusory Dissolvents from three one-man projects—Light Dweller, Aoecist, and Sleep Paralysis—offers a unique listening experience that challenges the norms of extreme music.
The Artists Behind the Madness
Light Dweller: A Journey Through Atonality
Kicking off the split is Light Dweller, the brainchild of Cameron Boesch from Phoenix, Arizona. Known for his dissonant DIY death metal, Boesch opens the album with a bold 14-minute track titled “Caste Wrought in the Ash of Abandoned Sovereigns.” This piece is a testament to his growth as a musician, seamlessly transitioning between punishing blasts and atmospheric interludes. The track’s structure showcases a newfound maturity, with each section flowing into the next, creating a cohesive yet chaotic soundscape. Light Dweller’s evolution is evident, and this track serves as a powerful introduction to the split.
Aoecist: The Microtonal Maestro
Next up is Aoecist, led by Alan Brucke, also known as The Cynic. His approach to music is characterized by microtonal experimentation, which adds a layer of complexity to his sound. The standout track “Feeble, Worthless” begins with a haunting post-metal intro before plunging into a chaotic blend of low-end grooves and dizzying shifts. Brucke’s ability to maintain listener engagement through rapid tempo changes is commendable, making each moment feel fresh and unpredictable. The tracks on Illusory Dissolvents feel more refined than his earlier works, showcasing a clear progression in his artistic vision.
Sleep Paralysis: The Unsettling Innovator
Closing the split is Sleep Paralysis, helmed by Stephen Knapp from San Diego. Known for his eclectic mix of black metal, jazz, and chiptune influences, Knapp takes a different approach in this release. His tracks lean into a doomier sound, focusing more on guitar-driven compositions while still incorporating his signature creativity. The result is a unique blend that feels both familiar and unsettling. While some may find this shift less adventurous than his previous work, it still captivates with its eerie atmosphere and intricate arrangements.
Cohesion and Flow: A Double-Edged Sword
While each artist brings their distinct flavor to Illusory Dissolvents, the split does present challenges in terms of cohesion. The album feels more like three separate EPs rather than a unified piece, which can disrupt the listening experience. However, this lack of flow is somewhat mitigated by the individual strengths of each artist. Light Dweller’s nuanced approach, Aoecist’s engaging compositions, and Sleep Paralysis’s haunting soundscapes each contribute to a rich tapestry of sound, even if they don’t always blend seamlessly.
The Verdict: A Refreshing Dive into Dissonance
Despite its minor shortcomings, Illusory Dissolvents stands as a testament to the creativity and innovation still thriving in the underground metal scene. Each artist showcases their unique talents, pushing the boundaries of what extreme music can be. The album serves as a reminder that, while the genre may sometimes feel stagnant, there are still gems waiting to be discovered beneath the surface.
With a rating of 4 out of 5 Flaming Toilets ov Hell, Illusory Dissolvents is a must-listen for those willing to explore the darker corners of metal. It’s a journey worth taking, filled with sonic horrors that challenge musical normality and invite listeners to confront their own expectations.
