Exploring Sunn O)))’s New Release: Eternity’s Pillar b/w Raise The Chalice & Reverential
Returning with a 12″ single on their new label, Sub Pop, Sunn O))) has released Eternity’s Pillar b/w Raise The Chalice & Reverential. At first glance, the idea of a single that stretches over 30 minutes might seem absurd, but this record is surprisingly accessible, marking a pivotal moment in the band’s career.
A Shift in the Landscape of Drone Metal
Sunn O))) once stood as the vanguard of drone metal, gaining acclaim beyond the confines of extreme metal. Their peak arguably came with the sleeper hit Monoliths & Dimensions in 2009, followed by collaborations with notable acts like Nurse With Wound, Ulver, and Scott Walker. However, their 2015 release, Kannon, has since faded from discussions, overshadowed by the band’s evolving sound. This shift began with Life Metal, which introduced a new era for the duo.
Critics often dismissed Kannon for its pretentious liner notes, but the album’s intriguing qualities deserve recognition. It followed Monoliths & Dimensions, which was steeped in Christian liturgical motifs, and marked a deliberate pivot toward a more “eastern” sound. This transition highlights Sunn O)))’s willingness to explore diverse influences, even as they grapple with the expectations of their fanbase.
Returning to Roots
With Eternity’s Pillar, the duo of Stephen O’Malley and Greg Anderson returns to a more stripped-down setup. This shift feels like a nod to their early days, echoing the minimalistic approach of fellow Sub Pop alumni, Earth. The absence of collaborators in this release suggests a reflective period, allowing the band to reconnect with their foundational sound.
Listening to the title track, “Eternity’s Pillars,” reveals a stark contrast to the lush production of their recent works. The absence of Steve Albini’s signature sound is palpable; instead of enveloping the listener, this track feels oppressive, reminiscent of earlier works like White2 or Flight Of The Behemoth. The reference to Alice Coltrane in the title adds an intriguing layer, yet the track struggles to evoke the meditative qualities one might expect.
A Conflicted Sound
The production on Eternity’s Pillar exists in a liminal space. It’s a regression from the expansive soundscapes of their recent albums, yet too polished to align with their earlier, rawer material. This tension raises questions about the band’s evolution and the impossibility of recapturing the essence of their formative years. The track’s intent seems to fall short, leaving listeners with a sense of unfulfilled potential.
The Tracks Unpacked
“Raise The Chalice” shifts gears, embracing a more traditional doom influence. The title pays homage to Ron Guardipee, a late vocalist from the Seattle hardcore scene. This track’s second half stands out, creating an engaging rhythm that invites head-bobbing. The background static adds a layer of texture, reminiscent of minimal techno, providing a rare glimpse of harmony within Sunn O)))’s typically dissonant sound.
As the single progresses, “Reverential” emerges with a menacing tone. The use of feedback creates an aggressive atmosphere, a departure from the band’s usual sonic palette. Described as an “antiphon” that pays tribute to those who came before, this track feels paradoxically violent, contrasting with the band’s historical sound.
A Mixed Bag
Overall, Eternity’s Pillar is a fine release, yet it raises questions about the band’s trajectory. The sense of revisiting familiar ground may render it less impactful, especially in a landscape filled with bands exploring similar sonic territories. While this record highlights Sunn O)))’s influence, it also suggests a stagnation in their creative evolution.
As fans await their next full-length album, the question remains: will Sunn O))) continue to dig through their roots to forge a new path, or will they remain tethered to the past? The future of this iconic duo hangs in the balance, and Eternity’s Pillar may serve as a pivotal moment in their discography.
