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Bobby Farrelly’s Mild-Mannered Teen Comedy

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A Nostalgic Misfire: Exploring "Driver’s Ed"

The ’90s Nostalgia Trap

Bobby Farrelly’s “Driver’s Ed” is a curious blend of nostalgia and modernity, yet it feels more like a relic from the past than a contemporary youth comedy. Set in a world where smartphones exist and Ritalin is mentioned, the film’s sensibilities are firmly rooted in the ’90s. It evokes memories of films like “Encino Man,” where the humor and themes feel as if they’ve been thawed from a bygone era. This disconnect leaves viewers pondering which generation the film truly caters to, as it seems to oscillate between past and present without fully committing to either.

A Disappointing Lack of Humor

For those familiar with Farrelly’s earlier works, such as “There’s Something About Mary” and “Dumb and Dumber,” the absence of edgy humor in “Driver’s Ed” is particularly disheartening. The film lacks the iconic, risqué gags that defined its predecessors. Instead, it offers a series of tame jokes, with the closest attempt at shock value being a frat guy randomly punching others in the groin. This approach feels like a missed opportunity, as the film opts for a wholesome tone reminiscent of the pre-“American Pie” era, leaving audiences yearning for the more daring humor that characterized ’90s comedies.

Meet Jeremy: The Idealistic Protagonist

At the heart of “Driver’s Ed” is Jeremy, played by Sam Nivola, an earnest high school senior with dreams of maintaining a long-distance relationship with his girlfriend, Samantha. Jeremy’s character is steeped in movie references, showcasing a love for classic Hollywood. However, when Samantha expresses doubts about their relationship during a drunken call, Jeremy spirals into a crisis. This moment sets the stage for his impulsive decision to steal a driver’s ed car and embark on a road trip to see her, a plot point that feels both familiar and contrived.

An Unlikely Road Trip Crew

Joining Jeremy on his spontaneous adventure are three classmates: the rule-abiding valedictorian Aparna, the apathetic stoner Yoshi, and the perky yet cynical Evie. Their diverse personalities create an interesting dynamic, yet the film struggles to develop these characters beyond their archetypes. Despite their initial reluctance, the group quickly agrees to join Jeremy, a narrative choice that feels forced and contrived. As they hit the road, they encounter a series of bizarre yet ultimately flat scenarios, including a three-legged cat and a robbery, which fail to elicit genuine laughter or engagement.

The Adult Antics of Molly Shannon

Molly Shannon’s portrayal of the school principal adds a layer of adult ineptitude to the film. Her frantic attempts to locate the missing students are characterized by a lack of urgency, which contrasts sharply with the youthful energy of the main characters. Shannon’s performance, while spirited, feels out of place in a film that otherwise lacks the comedic punch needed to elevate its premise.

A Nod to the ’80s

“Driver’s Ed” doesn’t just draw from the ’90s; it also pays homage to the ’80s, particularly with references to “The Breakfast Club.” The film attempts to recreate the magic of iconic makeover scenes and heartfelt bonding moments. However, it falls short, lacking the emotional depth and authenticity that made John Hughes’ classic resonate with audiences. The film’s attempts at humor and drama often feel forced, culminating in a finale that fails to deliver the emotional payoff viewers might expect.

Dialogue and Characterization Issues

One of the film’s most significant shortcomings lies in its dialogue, which feels stilted and outdated. The young cast, while talented, struggles to breathe life into exposition-heavy lines that fail to reflect the way modern teenagers communicate. This disconnect is particularly evident in moments where characters deliver platitudes that feel more like relics of a different era than genuine reflections of contemporary youth. The film’s belief that teenagers have remained unchanged since the heyday of high school comedies is a glaring oversight.

Final Thoughts on "Driver’s Ed"

In summary, “Driver’s Ed” serves as a nostalgic trip that ultimately stumbles over its own attempts to blend past and present. While it features an appealing young cast and a familiar premise, the film’s lack of humor, character development, and authentic dialogue leaves much to be desired. As it stands, “Driver’s Ed” feels like a missed opportunity to capture the essence of modern youth while paying homage to the comedies that shaped a generation.

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