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Conjurer – Unself: The Toilet of Hell

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Exploring the Depths of Conjurer’s Unself

The murky darkness of total despair is a fitting backdrop for the latest offering from UK post-metal band Conjurer. With their third LP, Unself, the band dives deep into a soundscape that is as expansive as it is intense, showcasing their evolution and experimentation within the genre.

The Essence of Post-Metal

Post-metal is a term that has garnered much acclaim over the years, often serving as a catch-all label for bands that blend various elements of metal with experimental sounds. Conjurer exemplifies this definition, having carved out a niche for themselves with their unique blend of sludge metal and avant-garde influences. Their journey began with a well-received debut album, and after signing with Nuclear Blast, they have taken their artistry to new heights with Unself.

A Sonic Journey

From the very first track, listeners are greeted with an unexpected twist: a folk-inspired intro that hints at the band’s willingness to explore diverse musical landscapes. This quickly morphs into a cacophony of heavy riffs and discordant feedback, setting the tone for an album that refuses to be pigeonholed. The intensity is palpable, and the band maintains this energy throughout, ensuring that each track feels fresh and engaging.

Instrumentation and Atmosphere

One standout moment in Unself is the mid-album track “A Plea,” which serves as a haunting interlude. This mostly instrumental piece features a powerful sample of a Spanish-spoken diatribe by Carla Antonelli, addressing themes of oppression and discrimination. The juxtaposition of the bleak musical backdrop with Antonelli’s impassioned words creates a profound emotional impact, encapsulating the album’s overarching themes.

The instrumentation throughout the album is meticulously crafted. The heavy, meaty riffs are complemented by a rich tapestry of sound, where drums, bass, and additional instruments are given ample space to breathe. This careful balancing act ensures that the vocals—shared between Dan Nightingale and Brady Deeprose—remain visceral and impactful, whether they are delivering harsh screams or melancholic crooning.

Dynamics and Emotional Range

What sets Unself apart is its dynamic range. The band expertly navigates between moments of aggression and introspection, never allowing the listener to settle into a single emotional state. This fluidity is crucial in maintaining engagement, as the shifts in vocal styles and the inclusion of varied musical elements prevent monotony. The album is a testament to Conjurer’s ability to balance heaviness with moments of somber reflection.

Production Quality

The production quality of Unself deserves special mention. The sound is crisp and full, allowing each instrument to shine while maintaining a cohesive overall mix. The clarity of the vocals, combined with the weight of the guitars, creates an immersive listening experience that draws the audience into the depths of the band’s sonic exploration.

A Call for Further Exploration

While Unself is undoubtedly a solid and expertly performed record, there is a sense that Conjurer has yet to fully unleash their potential. The dynamics and balance of heaviness are commendable, but there remains a desire for the band to push their boundaries even further. The groundwork laid in this album is impressive, and fans are eager to see how they will continue to evolve in future projects.

With a rating of 3.5 out of 5 Flaming Toilets ov Hell, Unself is a compelling addition to the post-metal landscape. It invites listeners to engage with its darker themes and complex soundscapes, encouraging a deeper appreciation for music that challenges the status quo. As the album releases on October 24 through Nuclear Blast Records, it promises to resonate with both long-time fans and newcomers alike, solidifying Conjurer’s place in the metal scene.

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