The Madness of Igorrr: A Deep Dive into "Amen"
Madness. Utter, godless madness.
How do you measure extremity in metal music? This question is rhetorical because you really can’t. Since the ’80s, metal has expanded far beyond the groundwork laid by pioneers like Black Sabbath. Artists have cranked up the speed, slowed it down, stripped it back, and mixed genres in ways that defy categorization. One of the most bizarre examples of this malleability is the French project Igorrr. The brainchild of Gautier Serre, Igorrr exists in a realm all its own, blending extreme metal with breakcore and other eclectic influences. After a half-decade hiatus, Igorrr is back with a new record titled Amen.
The Igorrr Experience
From the outset, it’s essential to acknowledge that Igorrr’s music is not for everyone. While I’ve been aware of their work since the release of Savage Sinusoid in 2017, I’ve struggled to fully embrace their sound. My primary hurdles are twofold: a personal aversion to breakcore and the overwhelming nature of their compositions. In preparing for this review, I revisited Savage Sinusoid and their 2020 album Spirituality and Distortion. While I wouldn’t label this music as repetitive or monotonous, it is undoubtedly a sensory overload.
Serre’s ability to create music that is both abrasive and utterly unique is commendable. He is not just a musician; he is an exceptional producer, arranger, and engineer. The complexity of Igorrr’s sound is a testament to his artistry.
Production Quality
One of the standout features of Amen is Serre’s production quality. Despite its roots in electronic music, the album features a range of instruments, including guitars, basses, percussion, and even baroque elements. These components sound surprisingly organic, defying the expectation that electronic music is inherently synthetic. The mixing and arrangement are so well-executed that each instrument feels impactful, maintaining its own space within the chaotic soundscape.
The album also explores slower tempos, incorporating trip-hop and ambient sections that provide a brief respite from the intensity. This dynamic range showcases Serre’s skill in crafting a cohesive yet diverse listening experience.
A Cinematic Quality
While I personally find Igorrr’s music a bit too overwrought for my tastes, I can’t help but appreciate its cinematic quality. The abrupt transitions—from blaring guitars to soaring synths or operatic vocals, courtesy of Marthe Alexandre—create a vivid auditory landscape. This aspect of Igorrr’s music feels like it would be perfectly suited for a video game or film soundtrack, enhancing the overall experience.
Personal Reflection
As I navigate through Amen, I find myself conflicted. I respect the artistry and production prowess behind the album, yet I struggle to connect with it on a personal level. It’s a challenging listen, and while I can appreciate the craftsmanship, I can’t say it resonates with me as a cohesive body of work.
For longtime fans of Igorrr or breakcore enthusiasts, this album will likely be a rewarding experience. However, for those who share my reservations, it may feel like an overwhelming journey through a chaotic soundscape.
Amen is set to release on September 19 through Metal Blade Records. If you’re curious about the madness of Igorrr, this album promises to deliver an experience that is as unique as it is intense.
