Exploring Phobocosm’s Gateway: A Deep Dive into Dissonant Death Metal
Dissonant death metal, often affectionately dubbed "dissodeath," is a subgenre that can be polarizing. While some bands like Immolation, Gorguts, and Ulcerate have garnered a loyal following, others, such as Imperial Triumphant and Portal, have left listeners divided. For many, including myself, the appeal of this genre can be elusive. However, Phobocosm stands out as a band that has managed to capture my attention, and their latest album, Gateway, is a testament to their evolving sound.
A Band with a Distinct Sonic Identity
Phobocosm has already made a name for themselves with three full-length albums that have received positive reviews. Their music is often compared to Immolation, a band known for its intricate compositions and dark themes. With Gateway, Phobocosm aims to punctuate their existing material while hinting at a shift in sonic direction for future releases. This album was recorded alongside their 2023 release, Foreordained, and features unreleased material spanning their career, including pieces dating back to their 2014 debut, Deprived.
The Opening Track: “Deathless”
The album kicks off with “Deathless,” a track that embodies the band’s signature style. The slow, plodding intro builds a sense of unease, drawing listeners in before unleashing a torrent of sound. At around 2.5 minutes in, the intensity ramps up, showcasing a more accessible sound compared to the dissonance of Foreordained. The groove that follows is infectious, inviting listeners to engage in a full-body headbang.
“Unbound”: A Shift in Pace
Following the strong opener, “Unbound” accelerates the tempo, diving deeper into the dissonance that characterized their previous work. The guitars create a chaotic atmosphere, but it’s Jean-Sébastien Gagnon’s drumming that truly drives the track. The song oscillates between frenetic blasts and heavy grooves, culminating in a funereal half-time section that feels reminiscent of Immolation’s style. This track stands out as a personal favorite, encapsulating the band’s ability to balance chaos with rhythm.
The Haunting Instrumentals
One of the most intriguing aspects of Gateway is its haunting trilogy of instrumental tracks: “Corridor I – The Affliction,” “Corridor II – The Descent,” and “Corridor III – The Void.” These pieces exemplify Phobocosm’s knack for crafting memorable melodies amidst dissonance. The instrumentals serve as a reflective pause within the album, showcasing the band’s versatility and depth.
A Journey Through Time
The songs on Gateway were pulled from various points in Phobocosm’s timeline, leading to a fascinating blend of styles. While the dissonance of Foreordained is evident, there are also echoes of the doom-laden atmosphere found in Bringer of Drought and the more straightforward Immolation worship of Deprived. This amalgamation creates a cohesive sound that feels both fresh and familiar.
A Minor Critique
If there’s one critique to be made, it’s that Gateway feels a bit short. With seven tracks totaling 35 minutes, the album leaves listeners wanting more, especially since three of the tracks are shorter instrumentals. Expanding any of these instrumentals into full-fledged songs could enhance the album’s melodic richness and provide a more satisfying experience.
Final Thoughts
Gateway is a compelling addition to Phobocosm’s discography, showcasing their growth while remaining rooted in the dissonant death metal tradition. The album is out now through Dark Descent Records, and it’s a must-listen for fans of the genre. With its blend of chaos and melody, Gateway invites listeners to explore the depths of Phobocosm’s sound, leaving them eager for what’s next.
Did you dig this? Consider supporting Toilet ov Hell on Patreon!
